If you’ve bookmarked this page, make the switch to RivershoreAudio.com. And thanks for reading!
Live Streaming ProPresenter & OBS with FaceBook
Live streaming with ProPresenter & OBS on two computers
In the previous article I explained how to set this up with one computer. Why use a second? Your main machine might not be able to process the stream fast enough, resulting in dropouts. But in my case I needed two solutions: I wanted a second person to supervise the live stream—make sure it’s working, change scenes during the service, maybe handle the audio mix. I also needed another physical
Live streaming with ProPresenter & OBS
Like many of you, my church is using OBS to stream our services. It’s a free application that makes streaming really easy to set up; it’s not the ultimate solution, but for folks like us it’s perfect. We feed two cameras from a video switcher, ProPresenter output, and an audio feed from our mixer. What I want to explain is my setup in terms of hardware and software while providing a couple of options
Mixing live streams in a DAW, part 1
As we’ve seen in previous articles, there are several options for creating a mix for live streaming, each with its level of quality and complexity. One of the most powerful methods, similar to using a second console dedicated to the stream, is a computer-based DAW. A DAW is multitrack recording software like Pro Tools, Logic Pro, and others. It’s just like a console with individual channels, processing, and a mix output.
Connecting your console, streaming computer, and mic preamps via Dante
Probably the easiest and most robust way to connect your audio gear from stage inputs to console and streaming computer is via Dante. This protocol transmits digital audio over standard Ethernet/CAT5 systems, which makes it extremely efficient and economical. No more weird RF interference in your long analog cable runs. No more thick, heavy bundles of mic snakes to run between stage and front of house. And it easily scales, meaning you can simply add more devices and computers
Church sound: Mixing live streams with a matrix (part 5 UPDATED)
Old-school analog mixing in the studio
Audio compression
Probably the most difficult signal processor to understand is a compressor. Most people get the idea that it squashes a sound, but that’s as far as it goes. Below is an excerpt from my Recording Audio book. Read through this, think about it, but then spend a lot of time playing with various recorded tracks going through a compressor. Experiment with the controls